Mar 6, 2013 · Personal Statement Service. The Old Dairy 12 Stephen Road Headington, Oxford, OX3 9AY United Kingdom. VAT Number 425 5446 95. 24/7 0800 334 5952 London 020 364 076 91 [email protected]. USA Address. 3979 Albany Post Road #2042 Hyde Park, NY 12538 USA New York 646-568-9741 ... What not to do in your music personal statement Clichés: avoid the likes of ‘music is my life' or ‘music is a universal language.’ Replication: including information on additional music qualifications and grades you have is important, but put these in one of the qualifications boxes on your application form so you don’t have to waste ... ... Popular Music Personal Statement Example Many of my family being musicians, I was very much brought up amidst musical surroundings. I started learning drums and guitar from my dad and brother, at around 9, and was playing gigs in my own band, at the age of 10. ... Sample Music Personal Statement. My first public performance, humble though it was (I played the role of ‘troll’ in a nursery Christmas show), vividly imprinted itself on my mind and forms one of my earliest memories. ... Essays, personal statements and résumés for music students can be daunting. While the audition is a key component in the acceptance process, admission reps want you to keep in mind that the paperwork side of the application is also important. ... Sample Music Performance Personal Statement. From a young age, hearing stories of my grandfather’s career as a play-by-ear pub pianist, I have been passionate about music and determined to pursue a career as a musician. ... ">
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Music Personal Statement Guide

Personal statements can be a bit of a paradox. On the one hand, they all need to do the same things as each other, namely describe your interest in a subject, your motivation for studying it at university, and your readiness to undertake the course. On the other, they have to be unique to you and to stand out from all the others. It’s little wonder that students struggle to know how and where to begin.

It’s also understandable if the prospect of putting pen to paper is daunting, but the best way to approach it is not to delay but instead to look at the writing of it as you might an essay. There are certain requirements that it must fulfil, it needs to follow a structure, and it should be interesting and entertaining to read.

To dispel any concerns you might have about what to do and not do when writing your statement, this guide will take you through the following steps:

  • Why are Personal Statements Important?
  • What Should I Include in a Music Personal Statement?  
  • What Should I Avoid in a Music   Personal Statement ?  
  • Advice on How to Start a Music Personal Statement
  • Advice on How to Finish a Music Personal Statement

personal statements for music

What Should I Avoid in a Music Personal Statement ?  

Don’t just focus on the one or two aspects you’re most interested in, e.g. playing jazz piano or analysing the works of lesser-known German Romantic composers. As the degree is a broad one, show that you’re willing to learn about other areas and to acquire new skills .

The language of your personal statement should maintain a polite formality and avoid casual language . You should also never rely on banal clichés or other people’s words, i.e. quotations, because this is your chance to talk about you in your own words and way.

Above all else, don’t exaggerate and don’t lie ; tutors can tell when abilities are overstated and books haven’t been read. This is especially important if you’re going for an interview or have to give a performance as questions will be asked.

Register to access our complimentary e-book "So You Want To Go To Oxbridge? Tell me about a banana…"

Advice on How to Start a Music Personal Statement  

One way to open your personal statement is to begin with why you’re compelled to study music at university and talk about how your interest has developed up to this point. It’s not necessary to trace your deep interest in music all the way back to the first piece you ever heard. It’s enough to mention a moment of recognition or realisation in your relationship with music that set you on this path.

If you don't want to begin at the chronological start of your musical journey, you could instead open with the area that most captures your interest. Use this as an opportunity to jump straight into an academic discussion and set the tone for the rest of your statement.

Universities want to see you’re going to maintain your interest and passion, but also that you can develop further as a musician and academic. It's difficult to encompass this in an opening statement, so sometimes it helps to brainstorm ideas around the ‘why’ and ‘how’ of your choice, and only then begin to draft an interesting introduction.

Advice on How to Finish a Music Personal Statement  

A degree in music is going to expose you to so much more than you have encountered up to now in this field, so universities want to know this won’t be lost on you. If you feel so inclined, you can talk about various modules you like the look of (as long as each university in your application offers something similar) and what you think studying those will bring you.

The conclusion to an effective statement brings together your ideas, interests, motivation, and ambition to reiterate your desire to study music to an advanced level and your suitability to do so.

  • What are some Tips for Writing a Strong Music Personal Statement?
  • How Long Should my Music Personal Statement Be?
  • What Kind of Extracurricular Activities Should I Include in my Music Personal Statement?
  • How Can I Tailor my Music Personal Statement to the Oxford/Cambridge Course?

It’s likely that some of your music degree will involve working as part of groups, as well as independently. This reflects the music industry more widely as, whether it’s in a studio or an orchestra pit, musicians, composers, conductors, and sound technicians all have to work together to produce what you ultimately hear. Your statement should therefore reference the extent to which you’ve collaborated with others to achieve common goals, as well as what your own independent endeavours have produced.

A degree in music relies on a range of skills, many of which you’ll have started to develop at school. Examples of these include problem-solving, analysis, critical thinking, creative invention, an eye for detail, and performance under pressure. It’s not necessary to list all your skills and how you’ve acquired them, but mentioning how you’ve come by some and the ways they could be transferable to the academic study of music will enable you to demonstrate your readiness for the degree.

The personal statement cannot exceed 4000 characters (including spaces), or alternatively 47 lines of the UCAS form. It’s therefore paramount you make the most of all the available limit you’re given by working out in advance what you should include and exclude, based on how important you deem the information to be. When you start writing, it will become easier to work out how best to express your ideas concisely.

Naturally, your extracurricular engagement with music should be given space in the statement, but it’s not enough just to list what you do and to what level. Universities want to see how you’ve learned and grown as a student and musician, and whether you have the potential to develop even further. Over and above your musical competencies, it’s always worthwhile talking about instances where you’ve done something out of the ordinary, which might be leading a youth orchestra, playing the piano in a care home, or teaching music to toddlers. Finally, your reading and thoughts around the subject should always feature in the statement as this is a surefire way of demonstrating intellectual curiosity and independent thinking.

Whilst you cannot be too specific (since the same statement is sent to all your university choices), there are some styles and techniques you can employ to ensure your personal statement is Oxbridge-appropriate.

A main consideration to make is that the Oxford and Cambridge courses are expectedly broad, but give you scope to tailor your path to suit your interests. This means you have free rein, within reason, to choose modules that suit you. That said, the universities will want to see your willingness to learn what might not initially appeal to you, as this is a mark of a dispassionate and intellectually free approach to study. You shouldn’t, therefore, rule anything out either in your statement or interview, but rather maintain an open mind and be prepared to throw yourself into all that the course can offer.

Furthermore, Oxbridge personal statements should be incredibly discerning on content, and should only mention academically-relevant experiences or resources which prove either your interest, motivations, or skills relevant to the music degree course.

Book your Music Personal Statement Package

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Music Personal Statement

From a young age, hearing stories of my grandfather’s career as a play-by-ear pub pianist, I have been passionate about music and determined to pursue a career as a musician. Having worked hard to gain academic and practical experience in the field I am confident that I have the ability to succeed at undergraduate level. At school I have performed solidly across a range of subjects, showing motivation and ability by taking my GCSEs and my A-levels 12 months early. It has been in musically related subjects where I have performed best, however, and, through undertaking both Music and Music Technology at A-Level I have given myself an excellent foundation for future study.

As with anyone who is pursuing a career within the field, studying various instruments and music theory has also constituted a large element of my extra-curricular activities. My main instrument is the alto saxophone, in which I have achieved a distinction at Grade 8. My love of woodwind instruments extends from playing the clarinet, in which I have achieved a Grade 7, while my broader interest has allowed me to gain both Grade 5 Music Theory and a merit in Grade 2 Piano.

It is performing and sharing my love of music with others that has truly inspired me, however, and I have taken every opportunity to gain experience where possible. I am currently the principle saxophonist for a Symphonic Wind Band and the Beacon Band, for whom I also fill in as principle clarinettist when necessary. This has offered the opportunity to play in a range of venues and contexts, including concerts at Symphony Hall and various fundraising events. I also play with a range of smaller ensembles throughout my community, covering every type of performance and venue, from busking to residential care homes. More recently I have begun playing with a function band, covering bass sections in a range of covers. While broadening my experience into different styles, this has also improved my arrangement abilities by working out the relevant parts from the recordings by ear. Recently I also attended the Summer Saxophone Spectacular course run by the National Saxophone Orchestra, which offered the opportunity to perform with noted professionals, such as Nigel Wood. I also gained experience teaching saxophone, clarinet and music theory for Musical Den International, Walsall Academy and at local primary schools, greatly improving my confidence in my knowledge, my ability to communicate my enthusiasm verbally and musically, and my teamwork skills. Perhaps the experience of which I am most proud, however, is my performance at last year’s Walsall Young Musician of the Year competition, in which I was a finalist.

While my love of music, and my dedication to developing my skills in the field may well dominate both my educational and extra-curricular activities, I also find time to indulge my desire to play a valuable role in my community, arranging regular fundraising events. I am also a keen traveller with a limitless curiosity about the world, having visited various countries both with school and family.

As my achievements within the field suggest, I am a hardworking and dedicated student with the passion and ability to make a real contribution as a musician. While I have worked hard to gain the relevant academic knowledge to ensure I can perform to a high level throughout undergraduate study, it is my skill in performing, and communicating my enthusiasm to others both through playing and teaching, that will continue to motivate me to achieve my future goals in the field.

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Popular music personal statement example.

An early introduction to music was something I welcomed enthusiastically, not only in primary school (recorder etc), but also outside school. Many of my family being musicians, I was very much brought up amidst musical surroundings. I started learning drums and guitar from my dad and brother, at around 9, and was playing gigs in my own band, at the age of 10. Since then, I have been taking my music a lot more seriously but with the same joy and excitement. At secondary school, I was the drummer/percussionist for many school ensembles, including: orchestra, wind, cellidh, jazz, and choir bands, as well as my own band. These commitments were taken very seriously and I am now grateful to have had the opportunity to gain such an understanding of different situations and applications for my instrument. My main achievements in this field are: a tour of Germany with the orchestra and winning a Balerno School Music Award with wind band.

Not only have I had experience playing drum kit, orchestral percussion, and hand drums, but I also write my own solo material on acoustic guitar and piano. Another interest of mine, is the use of electronic instruments, both hardware and software. Having played in an electronica act, I have learned and developed skills in using this equipment, which have broadened my abilities in music production.

I was also involved in the founding and running of a promotion company, mainly intended to promote my band at the time. Having more success than predicted, I started to put on club nights and other live music nights in Edinburgh and Glasgow. With the proceeds, I designed and built a project studio, together with some fellow musicians. In the basement of a rented shop, it's purpose was for our own projects, with the occasional commercial recording session and guitar/drum lesson. This did not only teach me a lot about working with others in a business environment, and about the technicalities of building the studio (sound proofing/acoustics etc) but also presented a whole new area of creation for me to explore. I have since learned a lot about analogue and digital recording techniques and am competent in many software packages for sound recording/production. With my brother and friend both having HND's in Audio Technology, I was fortunate enough to learn from them. Since then, I have moved to a larger and more professional setup where I teach and record, alongside my brother, who is my partner in music as well business. On top of experience in recording artists, I have also had work in live sound engineering, (Ego, Ark, Cannons Gait, Renfrew Ferry).

Outside of music, my greatest interest has to be travelling; though invariably my passion for music follows. Checking out gigs, getting involved whenever possible (jazz/folk sessions etc). Often I try to gain some education from the more exotic places, where the music is perhaps a little different from my learned styles. In Morocco, I had lessons in Arabic/Berber rhythms, in Cuba I had conga/bongo lessons and in India I attended an ashram for sitar. All incredible experiences that have definitely helped broaden my scope as a composer and understanding as a musician. Like many musicians, I have had to look outside the music industry for work in the past. For 4 years, I worked in an office/telephone centre for opinion research. As a project supervisor, I was personally responsible for 10-100 employees, and had various other responsibilities, which did teach me a lot.

It has always been a goal of mine to do the degree in popular music. As someone who has been involved in the music industry, in various fields, I feel I have an understanding of what I want to achieve from the course and believe I will have the focus and drive to complete it and to move on to a postgrad for teaching music. My recent experience in teaching drums and percussion, has been very rewarding to me, and has made me even more certain of my choice of career.

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Wed, 24/07/2013 - 23:52

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Essays, Personal Statements, and Résumés for Music Students

Essays, personal statements and résumés for music students can be daunting. While the audition is a key component in the acceptance process, admission reps want you to keep in mind that the paperwork side of the application is also important.

by Caitlin Peterkin

“We have a small interview component to our audition process and we review recommendation letters and a student’s music history (typically via the résumé),” says Megan Grady, music recruitment coordinator and assistant director of Admission at the University of Puget Sound School of Music. “We also like to see what else students do and if we think they’ll fit in well with our liberal arts university, not just the School of Music.”

Applying to music school is a highly-competitive process. Brittany Jimenez, associate director of Undergraduate Admission at USC Thornton School of Music , encourages students to be genuine and to put their best foot forward in all parts of the admission process.

“There are many parts of the application and admission process you cannot control, like who else is applying,” she says, “so carefully managing the parts you can control (like the writing supplements and portfolio submissions) will be very important.”

Catch the attention you want

An essay, often referred to as your personal statement, is required by many music schools. Each school posts its own guidelines for these. If you’re uncertain about what they’re asking for, contact the admissions office.

The Common App streamlines the process of applying to several schools, although not all schools use it. You’ll find out whether colleges and universities that use the Common App require a personal essay once you create your Dashboard on the Common App website. The Common App provides a list of “prompts” or ideas to write about and you are given the option to edit your essay after you submit your first application. Even if schools don’t require a personal essay, you’ll have the option to submit one.  

Music schools within universities as well as some colleges require you to apply to the university or college as well as to the music school. A separate school of music essay may also be required. Schools will indicate the word count as well as prompts or a specific theme they want you to write about. This may be referred to as a “supplemental essay.”

You can also choose to apply directly to schools instead of using the Common App. A request for supplemental materials including writing requirements is built in to these applications.

Note that these requirements may be different for transfer students.

So how do you make sure your essay and personal statement stand out from the crowd?

Here are suggestions from recruiters and admission representatives for creating essays they’ll they’ll be eager to read:

1. Do your research.

“It is beneficial to research the school and program and speak to the specific aspects and opportunities you find most relevant to you and your interests,” says Jimenez. “Getting to know the specific programs and faculty is important because every school is going to be unique in the type of experience they offer.”

Patrick Zylka, assistant dean for Admission, Financial Aid and Graduate Services at Northwestern University Bienen School of Music, agrees. “We want to know an applicant has done the research on our institution, not just that it’s a top ten ranking, or that their best friend goes here, but that they’ve really dug a little bit deeper and understand what the institution offers….and whether we’re actually a good fit for them.”

But he adds the caveat to not just regurgitate what’s on a school’s website: “Don’t tell us we’re a beautiful campus next to Lake Michigan—we already know!”

2. Don’t copy and paste.

Faculty and staff recognize that you’re probably applying to multiple institutions. Make sure to write a unique statement for each one, tailoring each essay to the specific program you’re applying to. Schools do not want to see a generic, cookie-cutter answer as to why you’re choosing their particular program.

“Essays that are clearly ‘cut and paste’ versions of an essay you’ve sent to a dozen schools…are not very persuasive,” says Christina Crispin, assistant director of Admissions at Eastman School of Music .

3. Show your personality!

As faculty and admissions reps review hundreds of applications each year, they want to read thoughtful statements from prospective students to get a better sense of each individual’s personality.

According to Zylka, admission reps view the essay as an applicant’s only opportunity to really show who they are as an individual, more than what any transcript or test score can reveal. “Speak from the heart,” he says. “If you’re funny, be funny. If you’re serious, be serious.”

Grady agrees: “We are looking for students to tell us more about themselves. We like to see creative essays that tell us something we may not be able to learn from the rest of their application.”

4. Proofread—multiple times.

Not only are essays a good way to show your personality, but they’re also a chance to demonstrate that you can write in a clear and coherent way.

“The essays that we are least impressed by are those that have typos, grammatical or punctuation errors—anything that screams, ‘I didn’t proofread this,’” says Crispin.

Some other no-nos: run-on sentences and “writing one big paragraph instead of a thought-out essay,” according to Grady.

Your résumé – the right way

Nearly all applications for music schools require a résumé.  

“The résumé is the place for applicants to highlight their musical accomplishments and experiences,” says Crispin. “If they want us to know about other extracurricular activities, leadership, volunteer work, etc., the résumé is a good place to capture that information.”

“It’s important to tell us about any honors, awards, summer festivals, private lessons,” adds Zylka. “Things that show us you didn’t just go to high school from a certain time in the morning to the afternoon.”  

• Make it clean and organized.

There is no one right way to format a résumé unless specified by the schools you’re applying to. They should be easy to read. Include your contact information plus music-specific information and experience.

“Present your résumé in an organized way so it is easy to review what you have done and when,” says Jimenez. “The résumé is typically 1-2 pages in length and mostly focuses on accomplishments and activities during high school.”

“Clean résumés are best—for musicians, that involves what you’ve performed, competitions you’ve won, ensembles you’ve performed along with chair placement (if applicable),” says Grady.  

“Keep your activities limited to your high school achievements,” she adds “unless there’s something particularly outstanding (like a performance at Carnegie Hall) that took place before high school. Show that you play multiple instruments and for how long, who you’ve studied with, ensemble directors, etc.”

• Proofread.

Edit your résumé multiple times, and have a trusted friend, family member, or teacher look it over. “We never want to see typos, misspelled words, or grammatical errors,” says Jimenez.

Final thoughts

Crispin advises all students to start their application early. “We often hear from applicants that they were surprised how much time it took to fill out their applications, and you don’t want to be rushing and risking errors right before the deadline,” she says. This also includes reaching out to teachers for recommendations well before applications are due.

Just like no two music programs are the same, no two application processes are the same. Do the research on what exactly is needed for each program you’re applying to, and make a checklist with deadlines for each one.

Finally, utilize all the resources available online and in admission offices. “Our website should be your best friend throughout the process,” says Jimenez. “Your other best friends will be the people in the office of admission. Applicants are always encouraged to ask questions anytime! We want our applicants to be successful throughout the admission process and are here to help however we can.”

Caitlin Peterkin is a writer/editor and arts enthusiast currently based in Portland, OR. She has worked as program manager for Earshot Jazz (Seattle) and has written for BestNewBands.com , Chronicle of Higher Education , and Paste Magazine . She graduated from Indiana University Bloomington with a B.A. in Journalism and a minor in Music.  

Photo credit: Mimi Thian

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Music Performance Personal Statement

Sample Music Performance Personal Statement

From a young age, hearing stories of my grandfather’s career as a play-by-ear pub pianist, I have been passionate about music and determined to pursue a career as a musician. Having worked hard to gain academic and practical experience in the field I am confident that I have the ability to succeed at undergraduate level.

At school I have performed solidly across a range of subjects, showing motivation and ability by taking my GCSEs and my A-levels 12 months early. It has been in musically related subjects where I have performed best, however, and, through undertaking both Music and Music Technology at A-Level I have given myself an excellent foundation for future study.

As with anyone who is pursuing a career within the field, studying various instruments and music theory has also constituted a large element of my extra-curricular activities. My main instrument is the alto saxophone, in which I have achieved a distinction at Grade 8. My love of woodwind instruments extends from playing the clarinet, in which I have achieved a Grade 7, while my broader interest has allowed me to gain both Grade 5 Music Theory and a merit in Grade 2 Piano.

It is performing and sharing my love of music with others that has truly inspired me, however, and I have taken every opportunity to gain experience where possible. I am currently the principle saxophonist for a number of local orchestras, I also fill in as principle clarinettist when necessary. This has offered the opportunity to play in a range of venues and contexts, including concerts at Symphony Hall and various fundraising events. I also play with a range of smaller ensembles throughout my community, covering every type of performance and venue, from busking to residential care homes. More recently I have begun playing with a function band, covering bass sections in a range of covers. While broadening my experience into different styles, this has also improved my arrangement abilities by working out the relevant parts from the recordings by ear. Recently I also attended the Summer Saxophone Spectacular course run by the National Saxophone Orchestra, which offered the opportunity to perform with noted professionals, such as Nigel Wood. I also gained experience teaching saxophone, clarinet and music theory for Musical Den International, Walsall Academy and at local primary schools, greatly improving my confidence in my knowledge, my ability to communicate my enthusiasm verbally and musically, and my teamwork skills. Perhaps the experience of which I am most proud, however, is my performance at last year’s Walsall Young Musician of the Year competition, in which I was a finalist.

While my love of music, and my dedication to developing my skills in the field may well dominate both my educational and extra-curricular activities, I also find time to indulge my desire to play a valuable role in my community, arranging regular fundraising events. I am also a keen traveller with a limitless curiosity about the world, having visited various countries both with school and family.

As my achievements within the field suggest, I am a hardworking and dedicated student with the passion and ability to make a real contribution as a musician. While I have worked hard to gain the relevant academic knowledge to ensure I can perform to a high level throughout undergraduate study, it is my skill in performing, and communicating my enthusiasm to others both through playing and teaching, that will continue to motivate me to achieve my future goals in the field.

We hope his sample Music Performance Personal Statement has been helpful in developing your own.

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COMMENTS

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    Sample Music Personal Statement. My first public performance, humble though it was (I played the role of ‘troll’ in a nursery Christmas show), vividly imprinted itself on my mind and forms one of my earliest memories.

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    Sample Music Performance Personal Statement. From a young age, hearing stories of my grandfather’s career as a play-by-ear pub pianist, I have been passionate about music and determined to pursue a career as a musician.